蓝莓之夜

简介：Elena, a “half” Japanese high school girl, struggles with the feeling she’s not Japanese. While constantly watched, she discovers she is also being watched by something else—a monster that can only be seen through her smartphone and whose sounds can only be heard through her earphones.

简介：本片根据Robinne Lee同名小说改编。由《大病》《塔米·菲的眼睛》导演迈克尔·肖沃特执导。40岁的离异母亲苏菲（安妮·海瑟薇饰），她的丈夫出轨年轻姑娘而抛弃了母女俩，也取消了原计划带着女儿去科切拉音乐节之旅。苏菲收拾好心情，整装出发，带着女儿去了科切拉，并见到了女儿最喜欢的乐队——August Moon，而这支乐队是目前全球最火的乐队，主唱海耶斯·坎贝尔（尼古拉斯·加利齐纳饰）聪明、成功、自信、时髦，对女孩子有立竿见影的吸引力。而且只有24岁，而俩人竟然走到了要一起。　　他们从一系列秘密约会开始，很快就演变成一段真切并且充满激情的关系。这是一次跨越各大洲的旅程，苏菲和海耶斯在彼此的世界里穿梭：从体育场之旅到国际艺术博览会，再到巴黎和迈阿密的僻静之所。对于苏菲来说，这是一场自我恢复，也是一次对幸福和爱情的重新发现。但是，当苏菲和海耶斯的恋情传遍网络...

简介：Vova and his best friend Kisa make ends meet by working for the local thug in Vladivostock, Russia until one assignment forces them to question their own morality and puts their friendship to the ultimate test.

简介：在某个神秘的夜晚，可怕的孢子突然降临地球，它们钻进人类的身体，从而将其据为己有，并且将人类作为猎杀吞食的目标。高中生泉新一（染谷将太 饰）也险些被孢子控制大脑，结果这个待在右手中寄生兽“小右”（阿部隆史 饰）便与之展开了奇妙的共存。某天，学校里来了位新老师田宫良子（深津绘里 饰），她和小右都敏锐地察觉到对方的存在。田宫将A（池内万作 饰）和岛田秀雄（东出昌大 饰）介绍给小右，并邀请他加入全部由寄生兽组成的网络以谋求发展。在此期间，新一和小右遭到A的伏击，而相依为命的母亲（余贵美子 饰）也不慎沦为寄生兽的俘虏。为了保护最重要的人，新一只有向穷凶极恶的寄生兽展开攻击……　　本片根据岩明均的同名漫画改编。

简介：明建文四年，燕王勾通宦官篡位，发“靖难兵”破南京，传说建文帝葬身火海，太子和玉玺下落不明。永乐帝派人侦察，得悉太子藏匿在武林义士上官浩的黑龙会中，于是派武林败类率官兵进剿围捕。上官浩战死，临终时将太子与玉玺交女儿秀仪与徒弟金振雄，秀仪等在少侠赵飞云护送下逃亡……

简介：对于南港的居民们来说，凯蒂（朱莉安·浩夫 Julianne Hough 饰）的到来是一件大事，尽管这个年轻漂亮的姑娘彬彬有礼行为无可指摘，但有关她的猜测和质疑从未停歇。对于凯蒂来说，自由又宁静的南港是疗伤的好地方。可是，一个人无论逃得多远，都无法逃脱他的过去，凯蒂也是如此，她越想忘记曾经发生的可怕的一切，就越是被这段记忆所困扰，所以她明白，南港并不是久留之地。　　在南港，凯蒂结识了英俊帅气的青年艾利克斯（乔什·杜哈明 Josh Duhamel 饰），后者的温柔关怀动摇了凯蒂离开的决心，在日积月累的柔情陪伴之下，两个年轻人之间的距离越来越近。艾利克斯的出现能够改变凯蒂的命运吗？

简介：影片以时代“横截面”视角切入，聚焦1921年前后的故事，全景式重现了百年前波澜壮阔、开天辟地的历史时刻——来自五湖四海平均年龄仅28岁的热血青年们，突破国际各股复杂势力的监控和追踪，聚集上海召开中国共产党第一次代表大会，见证中国共产党的成立。

简介：亨利（迈克尔·基顿 Michael Keaton 饰）是一名报社的编辑，他的妻子玛莎（玛丽莎·托梅 Marisa Tomei 饰）身怀六甲即将临盆，因此，他非常渴望能够从《纽约太阳报》被调到《前哨报》工作，以获得更加丰厚的薪水。　　一场谋杀案的发生轰动了整个城市，两名白人在案件中被害，而遭到逮捕的两名犯罪嫌疑人均为黑人。亨利在报纸的头条上刊登了黑人被捕的消息，这一举动导致《前哨报》撤销了对他的招聘决定。玛莎通过追踪种种蛛丝马迹，最终发现两名黑人青年是无辜的，而警察逮捕他们只是为了装点门面。亨利再度将这一真相刊登在了报纸的头条上，第二天，《纽约太阳报》被抢售一空。

简介：电影以抗美援朝战争第二次战役中的长津湖战役为背景，讲述了在结束了新兴里和下碣隅里的战斗之后，七连战士们又接到了更艰巨的任务……

简介：这是一场永远不会结束的噩梦：一家人去海滩旅行，小劳伦·达利被陌生人绑架，神秘地失踪了。十年后，精神受了重创的劳伦被找回来......这个家庭被十多年前的这场悲剧不断地萦绕着。bym.yakubd.cc

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：故事发生在一个普通的北方家庭中,男主杨宝坤是一位工厂厂长杨富贵的儿子,处于青春期的他与其他孩子一样,抽烟,喝酒,每天游手好闲,对喜欢跳舞的马兰产生爱意,梦想着能有一辆摩托车接送马兰回家,与此同时,杨宝坤的母亲和杨宝坤妹妹意外的将杨富贵与工厂女工赵艳红捉奸在床,杨富贵的工厂又处于危机当中。杨宝坤该如何选择自己的生活,身为家庭主妇的宝坤母亲将怎样对待自己的家庭和爱情杨富贵又将如何处理情人与自己妻子之间的关系这一连串的问题,围绕着这个真实而又普通的家庭最终又该如何抉择