温暖的桥
3.0 |06月29日 |片长94分钟 |HD
简介:
电影通过描述社区基层干部服务群众的典型事例,塑造了无私奉献的社区书记形象。社区书记周明秀在面对个人家庭生活的困境时,舍小家为大家,搭建起党群之间的温暖桥梁,传递党对群众关心、关爱,展现了党的民心观、群众观,及亲密美好的党群关系。
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欧洲的某个地方
32
1.0
已完结
欧洲的某个地方
1.0
更新时间:06月29日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
665
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
致命罗密欧
566
7.0
已完结
致命罗密欧
7.0
更新时间:06月29日
主演:李连杰,阿丽雅,艾赛亚·华盛顿,王盛德,德尔罗伊·林多,D.B.伍德塞德,区亨利,Jon Kit Lee,爱德华多·巴莱里尼,安东尼·安德森,DMX,马修·哈里逊,特瑞·陈,Derek Lowe,拜伦·劳森,本兹·安托万,凯斯·达拉斯,张铮,Richard Yee,柯林·富,兰斯·吉布森,朴敏庆,马诺·苏德,Gaston Howard,克莱·方特诺特,阿隆索·奥亚祖恩,叶芳华,阿尔文·桑德斯,威廉·S·泰勒,大卫·科普,Aaron Joseph,坎迪斯·麦克卢尔,Jody Vance,Larry Lam
简介:韩星(李连杰 饰)本来是香港的一名警察,但他的家族却掌管着美国一个华人犯罪集团,势力庞大。一次韩星为了替父亲顶罪,丢掉了工作,进入了香港的监狱服刑。服刑期间,韩星突然得知自己的亲生弟弟的死讯,悲痛不已的他成功越狱前往了美国寻找弟弟的死亡真相。所有的人都告诉韩星,弟弟的死是和他们家族对立的黑人帮派造成的,但韩星却隐隐觉得别有内情,于是他展开了调查。期间,韩星认识了美丽的女孩特蕾西(阿丽雅 Aaliyah 饰),原来特蕾西正是对立帮派的老大的女儿。不久,特蕾西的哥哥也被人谋杀了,同样不相信周围的人都一面之词的特蕾西和韩星一起展开了调查。最终,他们发现,真相原来很残忍。
3927
2000
致命罗密欧
主演:李连杰,阿丽雅,艾赛亚·华盛顿,王盛德,德尔罗伊·林多,D.B.伍德塞德,区亨利,Jon Kit Lee,爱德华多·巴莱里尼,安东尼·安德森,DMX,马修·哈里逊,特瑞·陈,Derek Lowe,拜伦·劳森,本兹·安托万,凯斯·达拉斯,张铮,Richard Yee,柯林·富,兰斯·吉布森,朴敏庆,马诺·苏德,Gaston Howard,克莱·方特诺特,阿隆索·奥亚祖恩,叶芳华,阿尔文·桑德斯,威廉·S·泰勒,大卫·科普,Aaron Joseph,坎迪斯·麦克卢尔,Jody Vance,Larry Lam
我爸爸的小飞龙
703
3.0
已完结
我爸爸的小飞龙
3.0
更新时间:06月29日
主演:雅各布·特伦布莱,伽塔·马塔拉佐,格什菲·法拉哈尼,黛安·韦斯特,克里斯·奥多德,朱迪·格雷尔,艾伦·卡明,雅拉·沙希迪,杰基·厄尔·哈利,莉顿·梅斯特,斯彭斯·摩尔二世,亚当·布罗迪,查琳·易,玛吉·林肯,玛丽·凯·普莱斯,丽塔·莫雷诺,伊恩·麦柯肖恩,乌比·戈德堡,埃里克·蒂德
简介:《My Father's Dragon》(暂译:我爸爸的小飞龙)是一部 2D 动画家庭电影,由诺拉·托梅(《凯尔经的秘密》《养家之人》)担任导演,梅格·勒福夫(《头脑特工队》《恐龙当家》)担任编剧,故事出自梅格·勒福夫和约翰·摩根之手,他们二人也同时担任监制。邦尼·柯蒂斯和朱莉·林恩(就职于 Mockingbird Pictures)与保罗·杨(就职于 Cartoon Saloon,《凯尔经的秘密》《养家之人》)和汤姆·摩尔共同担任制作人。《我爸爸的小飞龙》改编自鲁思·斯泰尔斯·甘尼特荣获纽伯里奖的儿童小说,讲述了一名逃跑的年轻人埃尔默·埃莱瓦托的故事,他在野蛮岛上寻找被囚禁的龙,随后发现的事情完全超出了他的预期。艾伦·莫洛尼和鲁思·科迪(就职于 Parallel Films)将与格里·希林共同担任监制。
2109
2022
我爸爸的小飞龙
主演:雅各布·特伦布莱,伽塔·马塔拉佐,格什菲·法拉哈尼,黛安·韦斯特,克里斯·奥多德,朱迪·格雷尔,艾伦·卡明,雅拉·沙希迪,杰基·厄尔·哈利,莉顿·梅斯特,斯彭斯·摩尔二世,亚当·布罗迪,查琳·易,玛吉·林肯,玛丽·凯·普莱斯,丽塔·莫雷诺,伊恩·麦柯肖恩,乌比·戈德堡,埃里克·蒂德
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