我爱太空人

简介：暂无简介，敬请期待

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：故事的主人公阿甘是一个对未来没有期许、对任何事都“无所谓”的高三学生，某天，常年在外的父亲突然回家，对他严加管教，并阴差阳错地成为他的高中同桌，闹出许多啼笑皆非的故事，展现了父子两人爱和生命的双重觉醒。

简介：电影讲述了新晋赌霸叶天玄，在一次大型赌局后离奇失踪。秘赌阁阁主青魇命手下黑宗寻找叶天玄，结果黑宗误打误撞将身怀特异功能的梦梦带了回来。梦梦怀揣着心中的秘密，最终凭借超凡的毅力喝智慧,成为了超能赌霸。

简介：自父亲去世以来，19岁的阿丽莎成了她患有抑郁症的母亲和年幼妹妹的照顾者。她只想逃离自己的责任以及身边的痛苦。她最好的朋友梅赫迪（23岁）性格内向，患有白癜风。尽管他有文凭，却仍然失业，这让他觉得自己对不起家人。两人都用幽默和想象力来逃避艰苦的生活。梅赫迪讲述并绘制超现实主义的故事，而阿丽莎则尽可能地重新塑造自己的现实。当他们得知全国范围内举办的一场绘画比赛可能会改变他们的生活时，他们偷了一辆车，开始了一场疯狂的公路旅行。他们的友谊经受了考验，他们发现了突尼斯最好的一面和最坏的一面。他们的希望破灭了，但他们的旅程改变了他们。三个月后，梅赫迪非法移民离开了，因为阿丽莎无法抛下她的家人。

简介：Maden, 17 years old. Summer holidays on the island. She is waiting for the mail. Between her room

简介：生活在百忙之中的女强人艾芙琳，丧夫后顿时失依靠，又得知自己罹患绝症，伤心之余，决定好好享受剩余时光，于是，她来到墨西哥渡假，却遇上老来春的洛依德，由于洛生性幽默，与其相处期间糗事一箩筐，给她带来新的转机。

简介：电影《假如我是你》是国内首部涉及“换体”爱情的电影作品。　　千年难遇的太阳磁暴，把巨大的宇宙能量带到地球，鬼才发明家（午马 饰）带着刚发明的“情爱颠覆伞”来到人间。花心男单民（林志颖 饰）是一个在浙江音乐调频工作的DJ。内心渴望成为一名主持，却总因为紧张就结巴，终究未能如愿以偿。穿梭于情场的小艾（姚笛 饰）是一个酒托，从小在孤儿院长大的她，机灵善变，以骗男人为生，把欺骗当作保护自己的最好武器。两个人毫无关系的人在雷雨夜邂逅，正巧被“情爱颠覆伞”交换了灵魂，进入了对方的身体，于是一个成了伪娘，一个成了“春哥”。从高级商圈到魅惑夜场，从床头到床尾，这对错位男女经历了一次又一次身心的纠缠，各种啼笑皆非的身份换位，各种HOLD不住的百出笑料……

简介：克雷格·施瓦茨（约翰·库萨克 饰）曾是木偶剧演员，在纽约城的一幢写字楼的七楼做文档管理员工作。一天，在办公室柜子后面寻找一份失落的文件时，克雷格意外地发现了一扇暗门，他好奇地壮着胆子钻进去，便一下子被吸入其中。克雷格穿越时空进入到了著名演员约翰·马尔科维奇的大脑中，在十五分钟时间内，他能够控制这个演员的视线，体验他所经历的一切，窥探所有深藏不露的隐私。克雷格感到非常刺激，十五分钟一到，克雷格从马尔科维奇大脑中被弹出，抛落在新泽西州的高速公路旁。返回家中的克雷格，把他的神秘经历告诉了他的妻子洛特（卡梅隆·迪亚茨 饰）和他的同事马克辛（凯瑟琳·基纳 饰），她们也想去暗门入口尝试一下。面对不可思议的事实，洛特视此为一次难得的商机，200美元的门票，尝试当一回十五分钟的约翰·马尔科维奇，这会成为一桩不错的生意。

简介：在海边一所终日窗帘紧闭的隐秘房子里，一个隐居于此的剧作家终日与他的狗为伴。而这样的宁静突然在一个夜晚被一个逃到此处的年轻女子所打破。她想在此避难，不愿离开。然而黎明降至，另一不期而至的事情改变了一切。

简介：杰克（爱德华•诺顿 饰）是一个大汽车公司的职员，患有严重的失眠症，对周围的一切充满危机和憎恨。　　一个偶然的机会，杰克遇上了卖肥皂的商人泰勒（布拉德•皮特），一个浑身充满叛逆、残酷和暴烈的痞子英雄，并因为自己公寓失火而住进了泰勒破旧不堪的家中。两人因缘际会地成为了好朋友，并创立了“搏击俱乐部”：一个让人们不戴护具而徒手搏击，宗旨在于发泄情绪的地下组织。　　俱乐部吸引了越来越多的人，逐渐发展成为一个全国性的地下组织，而泰勒也以自己个人的魅力，吸引着那些盲目的信徒。俱乐部的成员们到处滋事打架、大肆破坏，泰勒本人的行为也越来越疯狂。　　杰克对于“搏击俱乐部”的现况及泰勒的行为越来越无法忍受，和泰勒发生争执，泰勒离开了他。然而，杰克发现，他走到何处都无法摆脱泰勒的影子，他开始思考：我到底是谁？

简介：父亲的再婚惹怒了正处在叛逆期的伟一（郭鹏 饰），他搅乱了父亲的婚礼，与此同时，他发现了一张生母和一个陌生男人亲密的合影，他疑自己不是父亲亲生，于是当即踏上西去的火车，寻找照片上的“生父”。不料，后母带来的新妹妹小米（何钦琬 饰）尾随上了车，狠心的伟一中途下车把她甩下。一路上伟一颠沛流离，在一个小镇上发现了流浪街头的小米，这对没有血缘关系的兄妹开始了瞎子摸象般的旅程。他们遇到过云游四方的马戏团，也碰到过吵吵闹闹的药贩子，就这样，他们在旅行中得到过好心人的帮助，也学会了怎么帮助别人，伟一紧闭的心扉慢慢打开。当事情的真相揭开后，伟一瞬间感到自己长大了......