二郎神之三目

简介：埃琳•布罗克维奇（朱莉娅•罗伯茨 Julia Roberts 饰）是倒霉鬼中的典型。她结过两次婚，但每次婚姻都没有给她带来幸福，反而令她成了一个拖着三个孩子的单身母亲。倒霉的她在遭到一场交通事故后，连志在必得的赔偿官司到最后都输掉了。　　为她辩护的律师埃德（阿尔伯特•芬尼 Albert Finney 饰）半是同情埃琳半是因为帮她打输了官司心感内疚，收留了埃琳在他的律师楼里打杂。埃琳的生活算是有了一点保障。在调查一单污水申诉案时，埃琳偶然发现了污水中含剧毒物质，而供水公司确对此敷衍了事。弱女子埃琳决定用她柔弱的肩膀担负起为受污染的数百名居民讨回公道的重担！

简介：商人博班遇害，死状和毒贩贾斯汀如出一辙。副警司克里斯蒂请来前警员、连环杀手研究专家斯瓦米协助调查。案件线索指向问题少年阿迪亚，以及他行为古怪的父亲；背后藏着不为人知的动机，众人争分夺秒，阻止第三起凶案发生。

简介：1990年代，某城市。钢琴教师何健生（王洛勇 饰）的父亲是一位著名的音乐教育家，曾培养很多优秀学生，可惜英年早逝。他继承父业后，痴迷于教学事业，把全部青春献给了酷爱的钢琴教学中，为此，他付出了高于常人的代价，妻子（史可 饰）也离开了他。学生庄磊（王伯昭 饰）不被学校看好，面临淘汰，何健生却发现了他别人不曾察觉的潜质，主动接手调教他，并独创了一套异于常人的教学方法。几年过后，庄磊在国际钢琴比赛中获奖并远赴美国深造，而此时已耗尽心血的何健生重病缠身，但他并没放弃教学。大洋彼岸的庄磊闻讯恩师患病，随即飞赴祖国，师生相见，万语千言不知从何说起。他当即决定为恩师做募捐演出，可生命已走到尽头的何健生已闭上了双眼......

简介：From the haunted halls of the abbey in the past, a murderous rampage on Halloween in the present, to a monstrous apocalypse in the future; the seventeenth installment brings three tales of terror through every cycle.

简介：该片以解放战争前夕的赤城县为背景，共产党和国民党围绕一幅军事藏火图引发了无数曲折的故事。该剧主人公是生活在赤城的德高望重的孟三爷，在一个偶然机会得到一张军事藏火图，由此展开了一连串惊险刺激的经历。共产党地下党与国民党特务队为争夺宝图进行了巧妙周旋。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：出色的企业举报人打算扳倒一家秘密从事不法活动的公司，但这个计划也让他身陷险境 — 因为有人雇佣了一名冷血杀手来除掉他。

简介：该剧反映了南开大学毕业生到西部支教的故事。电影以我国西部大开发10年为背景，讲述了甘肃天水籍学生秦聪聪被南开大学录取，因家庭经济困难，在乡亲们和全国支教模范白方礼的帮助下完成学业，毕业后为了感恩社会、回报家乡，放弃高薪职业回到家乡做乡村小学教师的故事。 该片制片人兼导演李佳伦说，女主人公秦聪聪是剧组采访多位南开学生后创作出的人物。片中男一号的身份也被设定为南开大学学生。该片由影视明星李琦、胡静怡、向日葵、韩会亮、战立国、胡珂瑜等主演。剧中表现抢眼的小演员均为天水当地的小学生。

简介：南宋末年，小白为救许仙水漫金山，终被法海压在雷峰塔下。小青则意外被法海打入诡异的修罗城幻境。几次危机中小青被神秘蒙面少年所救，小青带着出去救出小白的执念历经劫难与成长，同蒙面少年一起寻找离开的办法。

简介：繁华大都市下，无论青年男女还是老弱青壮，一曾纯洁的心全都在物欲横流的世界里恣意沉沦堕落。也许正因为对钱无以复加的渴望，才让丑岛馨（山田孝之 饰）这样的人有了生存的空间，而看似邪恶的丑岛又恰恰能堪破繁华的虚无表象。美丽少女铃木未来（大岛优子 饰）被母亲（黑泽明日香 饰）拖累，为了还清拖欠丑岛的债务而利用青春赚钱，在充满诱惑的路上越走越远。活动社团BUMPS负责人小川纯（林遣都 饰）一心要实现赚大钱的梦想，为了举办大型社交聚会，他疲于奔命四处网罗投资人。在此期间他向丑岛举债，却怀着不为人知的企图。未过多久，这群深陷金钱漩涡的人被卷入腐烂的深渊……　　本片根据漫画家真锅昌平的同名原作改编，是该作TV剧的电影版。

简介：继承父亲遗产后于职场中杀伐决断、有所建树的中年女总裁，在爱情面前放弃独善其身的人生信条，同年轻下属走入婚姻殿堂，婚后发现丈夫与妹妹的秘密情事后毅然放手成全——影片的情节，如今看来已是老生常谈，但若论真正让本片熠熠生辉的原因，除了对于“社会性别期待“等经久不衰的议题的讨论，不可忽视的是主角波琳·弗雷德里克(Pauline Frederick)风趣、干练而又感人至深的表演。童年时期父母离异后被母亲抚养长大的波琳，自小便确立了演艺事业的理想，二十岁时便已担任巡回演出剧目的主角，虽然波琳·弗雷德里克在32岁时才出演了自己的银幕处女作——由休·福特和埃德温·鲍特指导的《不朽城》(The Eternal City, 1915)，但她依旧是最早前往好莱坞发展的百老汇明星之一，后来也成为了最早接演“有声片”（波琳曾接受系统的声乐、表演训练）的知名演员之一。事业方面可谓风光的波琳，感情生活却不尽人意，前后共经历了五次颠沛起伏的婚姻，在第五任丈夫（婚后不到一年内）和母亲相继逝世后，波琳也因罹患哮喘而离世。曲折而不平凡的人生经历也或许赋予了她一种表演中的特质，帮助她塑造了一位女性兼具泼辣和敏感的银幕形象。　　本片位列日本《电影旬报》1925年度十佳影片艺术类第六名。

简介：外表普通清秀的高中生涩谷步美（松板桃李 饰）拥有令人难以置信的身份，他的家族以“使者”之名著称。所谓“使者”，即可以根据委托安排生者和往生之人见面，完成各自心中未竟的心愿。作为一名见习者，步美按照奶奶爱子（树木希林 饰）的指示与相关委托人见面，引领着他们推开那扇连通另一个世界的大门。在此期间，他见到了深深质疑“使者”真实性的中年人畠田靖彦（远藤宪一 饰）、为了争夺话剧女主角而对至亲好友升起杀意的高中女生岚美砂（桥本爱 饰）、恋人日向辉梨（桐谷美铃 饰）七年前失踪生死不明的单身上班族土谷功一（佐藤隆太 饰）。来不及说出的心事和告白，以及被生死隔断的秘密，在漫长而短暂的夜里娓娓道出……　　本片根据直木奖获奖女作家辻村深月的同名小说改编。