湮灭

简介：1973年智利，性格迥异的CIA特工克里斯（约翰·马尔科维奇 饰）和李（山姆·洛克威尔 饰）被局长从圣地亚哥派往复活节岛，这对搭档将执行一项考验彼此信任和忠诚的任务。

简介：本片讲述了发生在上世纪90年代初东北的一段爱情故事。年轻气盛的私营小巴司机徐铁爱上了家境优渥的舞蹈演员陈丽莎，因为现实差距，二人的关系遭到丽莎母亲的强烈反对。为了赚钱， 徐铁答应帮助老板二条接货，而陷入险境。默默暗恋徐铁的蚊子为救徐铁而牺牲，让徐铁悔恨不已，而陈丽莎却在现实面前放弃了徐铁。因年少无知而犯错，付出了代价的徐铁终于成长，醒悟真爱原来在身边的故事。

简介：出品：西部电影集团　　许可证号：2008-276　　摄影：宋兆光　　制片：董希慧　　一九九二年，陕西省安康市旬阳县王院村进行支部改选。大家一致选举陈分新担任党支部书记。陈分新为此而作难――由于疾病，他的妻子刘忠群被高位截肢。他本能地拒绝了，但是他没有想到，刘忠群反复思考后，主动鼓励他去当支书。上任后的陈分新面临着重重困难，但是刘忠群面临的困难更多更大。为了支持丈夫的工作，她拖着假肢自觉地承担起家务劳动，又走进田里务农。刘忠群的爸爸支持她学会走路和参加劳动，但是当他偶然中看见女儿假肢上渗流的鲜血时，忍不住痛哭失声。村里一名外出打工人员由于煤窑塌方被砸伤，窑主不肯负责。家里人恳求陈分新帮助解决问题，陈分新放下家里麦收的活儿一去就是半个月。当他处理好事故赶回家，一眼看见刘忠群正跪在地里割麦，陈分新在妻子面前悲恸失声，进而很快向镇党委递交了辞职报告。刘忠群的小学老师徐尚辉得知陈分新将辞掉支书，深为不安。他找到刘忠群，欲言又止。刘忠群看出了他的为难，主动寻问，于是知道了丈夫一旦辞掉支书职务，许多他直接经手的工作将停顿下来，至少将延缓实现……生活就是如此矛盾，也是如此无奈和两难。暴雨下起来了，徐老师冒雨走往陈分新家。眼前的情景令他震憾。雨水浸泡着屋的后墙，刘忠群正拖着假肢奋力排水。他这才知道，陈分新去县上签订引水合同了。是刘忠群让他去的。刘忠群并且明确地告诉老师，她反复想过了，她要继续支持丈夫当支书！――面对着在如此艰难的条件下奋力劳动的刘忠群，徐尚辉热泪盈眶。一大早，刘忠群就下地劳动了。正是夏季，暴雨猝然袭来，刘忠群没有想到，偏偏她的假肢螺丝在劳动中脱落了，她无法行走，只好爬行着在地上寻找。终于寻找到并重新装好螺丝后，她发现自己身上脸上全是泥团，她沉思片刻，索性仰倚着一块巨大的石头，让雨水尽情地泼洒着自己也冲洗着自己。 回到家中的陈分新没有看见妻子，立即上山寻找，很快在坡田上找到了她。陈分新心疼妻子，要背她回家，但刘忠群坚决不肯。她曾经答应过陈分新：不管生活中有多大的困难，她都不绝望，都要和他手牵着手走路，而且要走得从容坦然！如今，她终于实现了自己的诺言，这使她的生活出现了一片更加广阔的天地，也出现了一片全新的蓝天……

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：古仁、渖彬这对艺坛老搭档，曾为无数的观众带来欢笑。退休后二人闹矛盾，竟然互不往来。电视台将举办慈善义演，有意邀请二人出席但二人愤然拒绝。后经多方面努力，特别是二位残障儿童的出现，令他们改变了主意。晚会上二位全力以赴的演出，观众给予热烈的掌声。遗憾的是渖彬因心脏病发，在舞台上结束了他的生命，给古仁和观众留下了无尽回忆……

简介：明建文四年，燕王勾通宦官篡位，发“靖难兵”破南京，传说建文帝葬身火海，太子和玉玺下落不明。永乐帝派人侦察，得悉太子藏匿在武林义士上官浩的黑龙会中，于是派武林败类率官兵进剿围捕。上官浩战死，临终时将太子与玉玺交女儿秀仪与徒弟金振雄，秀仪等在少侠赵飞云护送下逃亡……

简介：讲述了刽子手谢七因斩杀双瞳女囚，误了午时三刻的时辰禁忌，将遭遇女鬼还魂讨债。谢七本没当回事，不料头七女鬼竟被四大鬼差带来讨要人头。谢七坚持无神论，心怀正义，最终破获了女鬼还魂一事，并发现了更大的阴谋。

简介：侦探一如往常在熟悉的酒吧里消磨时间，这时来了活。客户是侦探的助手高田的学弟。他的女朋友玲子失踪了。侦探同意帮助寻找她，他发现玲子不仅以模特身份签约了一家名叫“纯洁的心”的事务所，同时还在某个名声不太好的场所兼职。在调查过程中，他们遇到了玲子兼职场所的老板麻里。很快，麻里在两个健壮男人的陪伴下再次出现。她得知侦探和助手正在到处调查，于是把他们打了个鼻青脸肿。尽管如此，侦探没有因此而退缩并继续展开调查。他得知纯洁的心事务所的掌管者是个名叫北条的神秘人物，而他拥有的北条集团则是札幌市最大的集团之一......

简介：菲恩·怀特海德、威尔·保尔特等主演的《黑镜》特别影片[黑镜：潘达斯奈基]首发剧照！影片将聚焦一位年轻的程序员，他将一部奇幻小说改编为游戏。然而很快现实和虚拟世界混合在一起，开始造成混乱。影片充满大量的暴力元素。

简介：新中国建立起来后，作为一个发展中的国家，我们和第三世界的兄弟手拉手，心连心，这正是伟大领袖所说的国际主义的义务。紧张忙碌的海港码头，一批又一批稻种和小麦闯入船舱，即将作为援建物资跨过重洋，送到兄弟国家手中。装卸工人们干劲十足，争分夺秒，热火朝天，充满了社会主义当家做主人的自豪感。然而在他们中间，青年工人韩小强（周卓然 饰）却对自己的工作不以为然。他百无聊赖，虚以委蛇，于是工作中难免出现差错。另一方面，潜伏在革命队伍中的钱守维（艾世菊 饰）将玻璃纤维混入小麦中，妄图抹黑中国的国际形象。在关键时刻，装卸大队党支部书记方海珍带领同志们加班加点，力挽狂澜……　　本片根据上海京剧团创作的同名剧目改编。

简介：倒霉到家的小青正在破旧的出租屋仰天长叹悲苦人生，屋门被踹开，她的债主陈姐来逼债。走头无路的小青为摆脱当前的困境，无奈接受了陈姐交给她的一项任务——以第三者身份拆散总裁沈瑜与孙晓婷的婚礼。于是小青开始锻炼自己的女人魅力，并准备计划诱惑沈瑜。岂料，小青才刚刚准备开始实施这一计划，却因醉酒上错了沈瑜的车，而小青错把沈瑜当成了司机，酒后将计划全部告诉了沈瑜。而机智逗比的总裁沈瑜，并没有揭穿小青，而是将这一乌龙顺势展开，故意看小青的好戏。在一系列的乌龙事件之后，沈瑜渐渐发现小青是一个善良的女孩子。而最终一场误会，让小青知道了原来身边的司机就是沈瑜，认为沈瑜欺骗了她，伤心的小青离开了沈瑜。沈瑜追寻而去，在发现真实的小青过程中，也越来越发现自己内心真正想要的爱情…

简介：故事松散地基于斯皮尔伯格的人生经历，主要聚焦男主角的成长时期，以及他和父母的关系，其名字不叫史蒂文，但和其一样住在亚利桑那州凤凰城。斯皮尔伯格50年代末到60年代初住在凤凰城，他在面对反犹太主义的同时，也在用父亲的8毫米摄像机拍摄家庭电影和冒险电影。高中时期斯皮尔伯格一家搬到了加州，后来父母离婚，他和父亲一起居住，与父亲的紧张关系也成为他打造《E.T. 外星人》《铁钩船长》《侏罗纪公园》《林肯》《猫鼠游戏》等电影的灵感。