人质

简介：一位退休教师坚守自己的信念，而他所在的社区——包括普里太太——为了一个新机会而做出妥协，这让他与相识多年的邻里之间产生了紧张关系。

简介：Leo（查宁·塔图姆 Channing Tatum 饰演）和Paige（瑞秋·麦克亚当斯 Rachel McAdams）是一对恩爱的小夫妻。在一个寒冷的冬天，一场车祸使Paige失去了记忆，醒来的她忘记了她曾经深爱的Leo。　　同样深爱Paige的Leo不愿意放弃，努力通过各种方法试图恢复Paige的记忆。他先是说服Paige的父母，让她继续和他在一起生活。同时，他通过各种细节来帮助她回忆。他们的第一次见面，他们最爱去的一家餐馆，还有她的艺术创作。然而失忆了的Paige也失去了创作的灵感，准备像以前一样回去学习法律。更糟糕的是，Paige似乎也准备回到前男友Jeremy（斯科特·斯比德曼 Scott Speedman 饰）的怀抱里。一次次遭遇挫折的Leo似乎看不到一丝让Paige重新爱上他的希望。故事是否也会向悲剧的结局发展？Paige是否又将像她遇见Leo之前一样，放弃艺术去学习她根本不喜欢的法律？在又一个寒冷的冬夜，Leo和Paige的再一次相遇将告诉我们答案。　　影片改编自真实的故事。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：刘常发从小就有一个为人师表的梦想，可惜出身于赛车世家，爸爸是跑拉力赛的好手，妈妈是玩摩托车的好手，自然常发从小耳目熏染之下也成为一名漂移赛赛车手。 长大后的常发虽然没能成为梦想中的老师，但是为人正直真诚，热爱帮助身边的人，所以身边的朋友都把他当成大哥一般崇拜、依赖，遇到困难也先找他帮忙。在一次漂移大赛中，常发的一个朋友因为对手的不正当竞争输了，正直的常发看不过眼，只能“多管闲事”挺身而出与那个手段不端的车手进行比赛。果然，在实力面前，任何阴谋诡计都是徒劳的。常发用自己的实力赢得其他车手的尊重，可惜的是，输了

简介：Julia 与 Clara 是相交多年的闺蜜，正值五十岁人生阶段，各自深陷婚姻危机、职业瓶颈与空巢焦虑。两人的女儿一同前往葡萄牙里斯本交换留学，她们决定借机挣脱乏味日常，结伴奔赴葡萄牙探望女儿。这场原本轻松的欧洲度假，途中意外不断，最终演变为一场重塑自我的治愈旅程，二人重新读懂女性友谊的力量，找回自我价值。

简介：一个曾效力于清朝皇帝，利用食物控制人心的黑暗料理组织，在清政府灭亡后散落民间，改邪归正，利用食物造福食客，但.其中一个叛徒“老狗”不仅毒害同门，更利用食物控制人心从事非法军火交易。黑暗料理18代传人牙签仔经历多重磨难后最终重组黑暗料理界，通过食神争霸赛一举打败老狗，让黑暗料理回归初心

简介：影片中周军搭乘了整晚的出租车，他同司机分别讲述了前女友，妻子，儿子相继离奇失踪的故事，谜团待解时，出租车司机却让周军陷入一个更大的谜团之中。

简介：外表普通清秀的高中生涩谷步美（松板桃李 饰）拥有令人难以置信的身份，他的家族以“使者”之名著称。所谓“使者”，即可以根据委托安排生者和往生之人见面，完成各自心中未竟的心愿。作为一名见习者，步美按照奶奶爱子（树木希林 饰）的指示与相关委托人见面，引领着他们推开那扇连通另一个世界的大门。在此期间，他见到了深深质疑“使者”真实性的中年人畠田靖彦（远藤宪一 饰）、为了争夺话剧女主角而对至亲好友升起杀意的高中女生岚美砂（桥本爱 饰）、恋人日向辉梨（桐谷美铃 饰）七年前失踪生死不明的单身上班族土谷功一（佐藤隆太 饰）。来不及说出的心事和告白，以及被生死隔断的秘密，在漫长而短暂的夜里娓娓道出……　　本片根据直木奖获奖女作家辻村深月的同名小说改编。

简介：1950年，咏春派一代宗师叶问（黄秋生 饰）与妻子张永成（袁咏仪 饰）带同儿子叶准到澳门生活，继而到香港谋生。一次较量，梁双（洪天明 饰）甘拜下风，并拜叶问为师。其后，叶问先后收了李琼（蒋路霞 饰）、陈四妹（钟欣桐 饰）、邓声（陈小春 饰）、汪东（周定宇 饰）、吴赞等人为徒。但最瞩目是与红颜知己珍妮（周楚楚 饰）一段鲜为人知的事迹。　　汪东与吴赞好斗，四处与其他门派“讲手”，经常需要叶问调解。某夜，工友们与梁双在天台开会起冲突，叶问出手制伏众人。另一方面，邓声沉迷名利，与贪污警员同流合污。叶问向邓声晓以大义，邓声终暗中协助因引发警民冲突而被捕的李琼获释。　　1959年，九龙城寨由江湖中人地头龙（熊欣欣 饰）统领，经营不良勾当。邓声答应暗助魏霸天（卢伟光 饰）的狮队胜出，好让地头龙操控比赛结果。比赛当天，魏霸天偷袭吴忠（曾志伟 饰），叶问出手救助吴忠，击败魏霸天。叶问与吴忠成了莫逆之交。

简介：此为电视电影，改编自2014年同名舞台剧，同导演同主演，故事源自法国十八世纪喜剧大师马里沃的同名作品，此为现代改编版。

简介：导演王准前往著名演员高丽的拍摄现场探班，尽管与高丽已经分居，但王准仍希望高丽尽快确认为自己新片拍摄的档期，高丽却反过来讽刺王准剧本遥遥无期。　　带着现实的压力，王准结伴丁宏敏、白金铂和度春一行四人，来到湖北深山采风，为拍摄一部关于当地丧歌《黑暗传》的剧情电影做前期的勘景和素材搜集。丁宏敏是这部电影的制片人，她带着年轻的男演员白金铂随行。度春是电影学院大三的学生，也是王准的粉丝。　　尽管有当地向导老罗带队，四人却仍在深山中迷路。行住的艰难，使四人的心理备受煎熬，亲疏关系发生了变化，致使他们渐渐模糊了此行的目的。山林中的遭遇，与上海都市的现实犹如梦幻般的呼应，王准内心的黑暗和茫然也显露无遗。他们在暴风雨中偶遇质朴的山民、执着的村妇春苔，并终于聆听到年迈歌师在葬礼上夜唱丧歌《黑暗传》。第二天，王准在凌晨的山谷醒来，这似乎是他一直在追寻的光明。

简介：龙争虎斗热血厮杀