屋顶上的轻骑兵

简介：杨震是东汉历史上非常著名的太尉，他廉洁清正的作风一直被后世所传诵。其中最广为流传的是他的“四知名言”，其曰：“天知，地知，子知，我知，何为不知？”。杨震在朝为官十余载，忠于君，爱于民，为百姓所爱戴，为朝野官员所钦佩。但是，在东汉时期，宦官在朝廷中的势力很大，为首的宦官就是中常侍樊丰。樊丰在朝廷中，为了争得皇上的宠爱，并不断加固自己在朝野之中的势力，处处与杨震为敌，几次三番想尽办法陷害杨震，并勾结皇上的乳娘王圣和其女伯荣，狼狈为奸，兴风作浪……在皇上一次东行出游之时，樊丰一伙竟然假造圣旨，不料东窗事发被杨震亲信所发现，本已是手到擒来可以将一伙反贼一网打尽，却在皇上回宫之时被樊丰捷足先登、恶人先告状，反把杨震告了一个谋反的的罪名。杨震含冤被谴回故里，途中又被樊丰用计假赐毒酒害死。次年顺帝即位，为杨震名冤昭雪，曾金百万，改葬潼亭。

简介：Vova and his best friend Kisa make ends meet by working for the local thug in Vladivostock, Russia until one assignment forces them to question their own morality and puts their friendship to the ultimate test.

简介：该片描述是大圈帮的故事，不过那是早期偷渡来港的一批满以为香港遍地黄金的大陆青年。当时的香港人轻视大陆人的心理，造成二者格格不入，加上本身慕求财富虚荣的思想，终于铤而走险，希望械劫得一笔巨额款项，然后飘洋远方。他们纠结了一群本地飞车党，详细策划了这宗天衣无缝的劫案。　　根據1974年5月25日香港旺角上海街寶生銀行發生的七佰萬元大劫案真實改編。本片根據案中一名犯罪成員親身口述，以寫實的手法拍攝這宗香港開埠以來空前震撼的劫案，該片無論案發前后，人物，地點和計劃都展露眼前。当年擔任此案總指揮的重案組警司 - 陳欣健。亦已轉向娛乐界發展。

简介：剧情简介暂缺，敬请期待

简介：迈克尔（连姆·尼森 Liam Neeson 饰）、哈里（艾丹·奎因 Aidan Quinn 饰）和伊曼（艾伦·里克曼 Alan Rickman 饰）是情同手足的好兄弟，他们共同组建了爱尔兰志愿军，其强大的战力和坚定的意志令大英帝国都对他们有着三分的畏惧。　　一场演说中，迈克尔邂逅了名为凯蒂（朱莉娅·罗伯茨 Julia Roberts 饰），凯蒂勃发的英姿和巾帼不让须眉的气势深深的吸引了他和哈里，两个男人之间的友谊因此生出了嫌隙。与此同时，伊曼带领着哈里远赴美国，为他们的军队争取更多的支援，当两人回到爱尔兰之后，发现迈克尔已经煽动革命抵达了高潮。英国同意和爱尔兰签订休战协议，认可爱尔兰的独立，但前提是爱尔兰必须向英皇效忠，这很显然违背了伊曼的初心。

简介：影片记述了老一辈戏曲艺术家还沉浸在要把世界经典戏曲《牡丹亭》的传承进行到底的时候，年轻人却在外来文化的冲击下，改变了自己的追求，两种文化必然会发生激烈的碰撞。...

简介：一个曾效力于清朝皇帝，利用食物控制人心的黑暗料理组织，在清政府灭亡后散落民间，改邪归正，利用食物造福食客，但.其中一个叛徒“老狗”不仅毒害同门，更利用食物控制人心从事非法军火交易。黑暗料理18代传人牙签仔经历多重磨难后最终重组黑暗料理界，通过食神争霸赛一举打败老狗，让黑暗料理回归初心

简介：龚夫人在十八年前一个风雨交加的晚上，一个年轻的军官浑身是伤的抱着一个熟睡的孩子和一箱黄金来到了龚家，把孩子和黄金托付给了龚家，十八年后这个当年的军官为了抗战购买物资，又来到了龚家，导致龚家女儿（当年年轻军官托付的孩子）遭难，贤良的龚夫人早已这个孩子视为己初，在多次遭遇家庭变故，善良的龚夫人被触碰到了底线，为了孩子为了抗战，拿起了手中的武器。

简介：影片改编自周浩晖豆瓣高分悬疑小说。　　以“审判者”自居的神秘杀手Darker公开挑衅警方，接连发出“死亡通知单”，收到之人都会被残忍处决。为查清真相，爆炸案目击者黄少平（古天乐 饰）、天才警察罗飞（张智霖 饰）、专案组组长韩灏（吴镇宇 饰）纷纷入局。Darker究竟是谁？真相不断反转，惊人的秘密逐渐浮出水面……

简介：混沌酝神铁，竖可为天柱，横能扫乾坤，变大断山岳，缩身入微尘，两端篆刻无名文，万千星斗自绕身，一朝觉醒天下惊！　　孙悟空成佛之后如意金箍棒去了哪里？一说被孙悟空重新放回东海；一说佛祖因忌惮孙悟空战佛之力，将其封印于如意峰下。　　如意峰下住着修仙隐门‘如意门’，历代守护三界封印，候力（神）李飞莺（人）严天罡（魔）三名使者，分别掌管金刚、人王、帝师三种印法。无相魔尊派嗜冥二魔偷入人间，趁血月之夜攻击封印之门。师兄妹三人联手使出“三印大法”催动神针镇压住封印。可就在最后关头，天罡入魔重伤侯力。飞莺牺牲自身灵力助侯力修炼，侯力最终突破境界，舞动定海神针大败无相魔，魔族通往人界之门永远封闭。

简介：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

简介：The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia. Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage. The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.