124
3.0

卧虎藏龙:青冥宝剑

导演:
袁和平
主演:
甄子丹,杨紫琼,岑勇康,刘承羽,李截,原丽淇,吴青芸,袁之正,陈钰芸,朴云龙,关永扬,吴育刚,张舒雅
别名:
未知
3.0
124人评分
国语
语言
2016-02-19
上映时间
未知
片长
简介:
武当弃徒戴阎王(李截 Jason Scott Lee 饰)为抢夺青冥古剑夜袭铁小贝勒府,俞秀莲(杨紫琼 饰)重出江湖,携手旧友孟思昭(甄子丹 饰)保护宝剑,被蒙蔽的魏方(岑勇康 Harry Shum Jr. 饰)助纣为虐,雪瓶(刘承羽 Natasha Liu Bordizzo 饰)告知魏方其身世之谜。一场江湖混战,众人力擒戴阎王,保护宝剑周全。  影片改编自王度庐小说《铁骑银瓶》。
猜你喜欢
换一换
走过冬季
530
8.0
已完结
走过冬季
8.0
更新时间:06月29日
主演:佐伊·丹斯切尔,达雷尔·拉森,约翰·贝德福德·劳埃德,迪尔德丽·奥康奈尔,Mandy Siegfried,埃米·马迪根,达拉斯·罗伯特斯,Ivan Martin,Robert Beitzel,Laurie Kennedy,威尔·法瑞尔,艾德·哈里斯,Mary Jo Deschanel,阿梅丽娅·华纳,山姆·伯顿斯,安东尼·拉普,瑞秋·德拉彻,吉姆·特鲁-福斯特,贝特西·艾顿,迈克尔·切鲁斯,盖伊·博伊德,亚历山大·瑞斯
简介:美丽女孩瑞茜·霍尔登(佐伊·丹斯切尔 Zooey Deschanel 饰)心中怀有表演的梦想,为此她从密歇根州的老家来到大都会纽约,靠着自己的勤奋取得了些许成就。她的父亲丹(埃德·哈里斯 Ed Harries 饰)曾是一名知名作家,却因爱妻之死而将近二十年再未执笔。瑞茜 和父亲的关系颇为冷淡,父女二人分别多年几无联系。某晚,演出完毕的瑞茜迎来一位不速之客,她叫劳瑞·兰斯基(艾米·麦迪甘 Amy Madigen 饰),是一个以编书为生的女人。劳瑞对丹当年写给爱妻的情书极为感兴趣,她希望瑞茜能够提供这些情书。  虽然实现了演员的梦想,但是瑞茜仍为生计所迫。在丰厚报酬的诱惑下,她决定返回阔别七年之久的老家,却未曾想到这是一次改变人生的旅程……
4296
2005
走过冬季
主演:佐伊·丹斯切尔,达雷尔·拉森,约翰·贝德福德·劳埃德,迪尔德丽·奥康奈尔,Mandy Siegfried,埃米·马迪根,达拉斯·罗伯特斯,Ivan Martin,Robert Beitzel,Laurie Kennedy,威尔·法瑞尔,艾德·哈里斯,Mary Jo Deschanel,阿梅丽娅·华纳,山姆·伯顿斯,安东尼·拉普,瑞秋·德拉彻,吉姆·特鲁-福斯特,贝特西·艾顿,迈克尔·切鲁斯,盖伊·博伊德,亚历山大·瑞斯
无焰爱火
71
8.0
已完结
无焰爱火
8.0
更新时间:06月29日
主演:波琳·弗雷德里克,劳拉·拉普兰特,马尔科姆·麦克格雷戈,塔利·马绍尔,万达·霍利,海伦·林奇,George Cooper
简介:继承父亲遗产后于职场中杀伐决断、有所建树的中年女总裁,在爱情面前放弃独善其身的人生信条,同年轻下属走入婚姻殿堂,婚后发现丈夫与妹妹的秘密情事后毅然放手成全——影片的情节,如今看来已是老生常谈,但若论真正让本片熠熠生辉的原因,除了对于“社会性别期待“等经久不衰的议题的讨论,不可忽视的是主角波琳·弗雷德里克(Pauline Frederick)风趣、干练而又感人至深的表演。童年时期父母离异后被母亲抚养长大的波琳,自小便确立了演艺事业的理想,二十岁时便已担任巡回演出剧目的主角,虽然波琳·弗雷德里克在32岁时才出演了自己的银幕处女作——由休·福特和埃德温·鲍特指导的《不朽城》(The Eternal City, 1915),但她依旧是最早前往好莱坞发展的百老汇明星之一,后来也成为了最早接演“有声片”(波琳曾接受系统的声乐、表演训练)的知名演员之一。事业方面可谓风光的波琳,感情生活却不尽人意,前后共经历了五次颠沛起伏的婚姻,在第五任丈夫(婚后不到一年内)和母亲相继逝世后,波琳也因罹患哮喘而离世。曲折而不平凡的人生经历也或许赋予了她一种表演中的特质,帮助她塑造了一位女性兼具泼辣和敏感的银幕形象。  本片位列日本《电影旬报》1925年度十佳影片艺术类第六名。
5984
1925
无焰爱火
主演:波琳·弗雷德里克,劳拉·拉普兰特,马尔科姆·麦克格雷戈,塔利·马绍尔,万达·霍利,海伦·林奇,George Cooper
荣耀六十年1938
329
7.0
已完结
荣耀六十年1938
7.0
更新时间:06月29日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
3479
1938
荣耀六十年1938
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
首页
电影片
连续剧
综艺片
动漫片
在线聊天