寻找长着獠牙和髭须的她

简介：埃琳•布罗克维奇（朱莉娅•罗伯茨 Julia Roberts 饰）是倒霉鬼中的典型。她结过两次婚，但每次婚姻都没有给她带来幸福，反而令她成了一个拖着三个孩子的单身母亲。倒霉的她在遭到一场交通事故后，连志在必得的赔偿官司到最后都输掉了。　　为她辩护的律师埃德（阿尔伯特•芬尼 Albert Finney 饰）半是同情埃琳半是因为帮她打输了官司心感内疚，收留了埃琳在他的律师楼里打杂。埃琳的生活算是有了一点保障。在调查一单污水申诉案时，埃琳偶然发现了污水中含剧毒物质，而供水公司确对此敷衍了事。弱女子埃琳决定用她柔弱的肩膀担负起为受污染的数百名居民讨回公道的重担！

简介：老炮儿在北京话中，专指提笼遛鸟，无所事事的老混混儿。　　六爷（冯小刚 饰）就曾是“横行”老北京的老炮儿之一，如今过着悠闲自得的日子，却不想自己的儿子晓波（李易峰 饰）被卷入了与“小爷”小飞（吴亦凡 饰）的纠纷中。六爷试图出面摆平这起纠纷，并找来了昔日老友闷三儿（张涵予 饰 ）、话匣子（许晴 饰）、灯罩儿（刘桦 饰）帮忙，却发现这个时代已经有了一群新的“话事人”，自己这个顽主的江湖地位已经动摇，并且以往固守的生活方式已经渐渐被时代所抛弃，廉颇老矣尚能饭否？

简介：除夕夜的刘家寨，寡妇张彩霞（袁嘉敏饰）和她婆婆李月梅神秘失踪了。报案后，经警方调查，把村里采石厂厂长刘东民（陈保元饰）、无业游民刘放（巴多饰）、采石厂爆破手刘山炮（桑平饰）列为了嫌疑人，但三人都矢口否认。此时的关键是要找到张彩霞和李月梅，尸体到底藏在哪里呢？一系列看起来亦真亦假、扑朔迷离的证据摆在众人面前，究竟哪个才是真正的证据呢？

简介：孤儿齐全带着叔叔遗留下的宝物，以英雄联盟特长生的身份考入西府大学。在这他结识了同是特长生的白风和贾正直，以及校队经理姚思雨，不料却陷入姚思雨的追求者雷鸣和校队队长雷霆的阴谋。两队对决，正义与阴谋的较量同时被点燃！另一边，来自瓦罗兰大陆的两个敌对方嘉文皇子和斯维因为了各自的信仰而战斗，齐全的吊坠能够打开空间大门，完成时间空间的转化。双方皆有意争夺吊坠，为避免破坏空间法则而引起时空崩塌，两伙人决定在游戏世界里决斗。一番厮杀后，嘉文皇子带斯维因等人回瓦罗兰大陆，齐全和姚思雨走到了一起。

简介：大侠齐如丰将为救他而身亡的仆人方诚的儿子方刚（王羽）抚养成人后，欲立其为掌门人，此举引来方刚师兄的嫉妒。追求方刚不成的齐如丰的女儿齐佩联合师兄与方刚比武，却失手砍断方刚右臂，方刚负伤逃离齐家。　　只剩左臂的方刚被少女小蛮（焦姣）救下后一度意志消沉，但终在小蛮的鼓励下重获信心，凭借小蛮父亲留下的秘籍《左手图谱》练成“左手神刀”绝技。齐如丰的仇家笑面二郎和长臂神魔将齐的弟子系数杀尽，并囚禁了齐佩和齐如丰。顾及师恩，方刚决意不计前嫌助齐家一力。

简介：As Dr. Ryan secretly supplies her with surgical-grade drugs to keep her compliant and submissive, Sarah's life spirals. When tragedy hits, Sarah's mother and sister begin investigating the doctor, uncovering shocking and disturbing truths.

简介：方紫英的父亲生意失败后自杀，家道中落，方紫英去投奔表姐，却遭到表姐陷害，后被青衣社行动三组组长沈白露相救，从此，她就加入了青衣社，成为一名女特工，执行各种秘密任务，积极参与抗日救国。　　一天，沈白露命令方紫英前往汪伪政府控制下的上海，执行一项秘密任务，出于保密考虑，任务的具体内容将由上海那边的接头人当面布置给方紫英。　　方紫英到达上海后，看到接头人被捕，情况万分紧急，接头人给了方紫英一些暗示后服毒自杀。　　方紫英认真思考接头人给她的这些暗示，绞尽脑汁终于明白了这次要执行的秘密任务。　　那么，方紫英要执行的任务是什么？她能顺利完成吗？

简介：“写完一部书稿不代表能出版，能出版不代表有人读，有人读不代表有人喜爱，有人喜爱不代表成功，而成功也无法保证带来财富。”《执笔》讲述了一位成功的摄影师放弃一切全身心投入写作，并由此体验贫穷的真实故事。这部作品以一种清醒而自嘲的犀利笔触，描绘了一个甘愿为自由付出终极代价之人的心路历程。

简介：林婉静（郭奕芯 饰）是老师和同学眼中的乖乖女，然而只有她自己知道，平日里的温和和顺从不过只是表象，她一直带着沉重的假面生活，深感压抑。苏可怡（麦芷谊 饰）向来我行我素，如同花蝴蝶一般辗转在荷尔蒙气息强烈的帅气男孩之间，是典型的问题学生。何爱爱（廖子妤 饰）天生内向而羞涩 ，总是成为众人欺负和排挤的对象。　　一场意外让三个性格迥异的女孩走到了一起，结下了脆弱但纯真的友谊，然而，何爱爱援交的消息令这友谊最终四分五裂，三人分道扬镳。之后，三人各自面对苍白而又惨淡的人生，以她们特有的方式与之对抗，当三人再度相聚在一起结成同盟之时，却发现，她们早已经回不到过去。

简介：环卫所女工青姐目睹了一场车祸，肇事者开车逃逸。向警察提供了肇事现场的信息后，却不料这是辆套牌车，案件变得迷离。青姐的神经再次被事故现场的画面所震撼。良心苦苦挣扎后她决定追寻肇事者。这时，她收到一个装满现金的信封，告诫她，彻底抹去交通事故的记忆。事情越来越接近真相，肇事司机也渐浮水面，正是儿子同学的爸爸，青姐收到一封恐吓信，儿子魏恒被打，当家人都以为是意外时，只有青姐知道这意味着什么！

简介：全球经济萎缩，中国加入世贸之后，不断打击香港经济发展，就业机会减小，直接冲击整个社会的生活水平，社会病态丛生，心理素质较薄弱之青少年，甚至成年人，受不住种种压力，遂借助毒品逃避问题，有些人铤而走险，成为毒贩。不单只伤害自己，对家庭亦做成无可挽救的祸害。 故事根据真人真事改编，描述不同阶层，不同年龄的人如何受不住生活压力，被毒枭乘虚而入，威逼利诱，堕进糖衣陷阱，陷入万劫不复的境地。电影冀望揭露人性的弱点，警醒世人毒品的可怕，无论遇到任何打击，也不要跟毒品沾边。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor